Categories
H. Drummond Magazine

Magazine

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Obviously my first step in the process of creating this project was choosing which stories I would use. As an artist I was immediately drawn to the Giacometti article. After seeing the pictures available I felt it had more visually interesting potential. 

Not only that but I was struggling to choose a cover picture. I wasn’t drawn to any of the ones given in the actual project download and looking for one sounded slightly overwhelming so I thought it would be nice to choose one that matched the article. I really liked the bright colors of the self portrait and saw potential for a good layering effect with the name of the magazine. 

I chose the opening spread because it gave plenty of space for the type and it matched the “edge of madness” title in the sense that the sculptures shown were kind of spooky. However I of course needed to include his studio for the story so I made that the lead image on the second page. The other pictures were largely picked to fit in the cluster and make the text fit properly. My main regret with them is the captions. I originally had the captions separate and inside each picture but that was hard to read and very ugly so I moved them all to one. However I should have spent more time trying to make it work. The color is a bit hard to read against the color varied background. 

As for the type, I didn’t think too hard about the body copy, just chose a serif font that was simple and dependable. For the captions and sidebar copy I chose a modern looking sans serif. For the magazine’s heading type I chose an art deco inspired font as I felt it was a strong look for a graphic design magazine. For the article heading I looked through adobe fonts to find an unhinged font. I liked Motion OT because it had a similar clumpy yet slender texture as the sculptures. The green for the fonts came from the strong green color in his self portrait to strengthen the connection and bring a bright color to a story with darker images. I feel the high saturation added to the madness feeling. 

I went back and forth way more on the alternative story form. I had ideas for both but I didn’t love either. I started with the labels cause I thought it would be easier but it was so ugly so I started over with my idea for the icons. I arranged them on the page and then it was suggested to me to make more separation between the icons as they were bleeding together. I know we were told not to make it too boxy but it really did need sections. To try and combat the sterile feeling of boxes I tried to give it a patchwork quilt feeling. I feel this brought it to life some in a kind of quirky way. Originally I was trying to use the colors from the cover but upon going into office hours I was told this was unnecessary. Instead I used the colors from the icons themselves. I ended up cutting out the lamps to better fit my page’s structure.

Categories
Magazine S. Thompson

Three Six Five: London Edition

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Our second project for Graphic Design I was building a magazine spread. This one challenged me significantly more than our first project as it had more moving parts. As a part of this project, I used new tools in InDesign, such as the type on a path tool, and was able to practice layering images to create a more impactful design. I felt this project challenged me to consciously think about my design choices and overall create better designs.

I wanted to keep my cover relatively simple. I chose the image of Big Ben at night because it had a wide variety of color but was easy to place text on. I used the eyedrop tool to pull colors from the photo and use them for the text. I also used photoshop to cut out Big Ben and then layered it so it was coming out in front of the letters. For my typography I chose to use Benton Sans Extra Condensed for both my title plate and my titles for my previews. It is a clean sans serif font that helped pull the design together and make it look very cohesive. For the decks, I used Didot which I then used again in my alternative story form, this font felt elegant but simple.

For my project I chose to create my opening spread over Albert Giacometti. For the opening spread, I chose the image of him in his studio as I felt that it embodied the story and expressed the chaos that surrounded Giacometti. To make it work well for my spread, I cut out Giacometti and layered him so that he would remain in full color as I increased the opacity of the surrounding image. I also chose to use Trattatello as my font for the word madness and then in the headline in the sidebar on the second spread to build that sense of connection between the first and second page. I felt this font mimicked the length and of Giacometti’s sculptures but also felt like a font that stereotypically associated with insanity and chaos. The rest of the typography for both the opening and second spread was Georgia to make the Trattatello stand out more. I also used the eyedrop tool to pull a red from one of his paintings to use as the color of my typography which helped to create a connection between the pages.

For my alternative story form, I used the six icons of British design and created circles that I imported the images into. This gave my design a sense of organization and looked clean but felt more creative than using squares or a more stereotypical shape. The boxes that I used for the list numbers helped them stand out more and created a sense of unity throughout the design.

Overall, this project challenged me both creatively and as a graphic designer. I was able to continue practice using InDesign which helped me get significantly more comfortable with the program and the commands. The choices I made were very intentional and required a significant amount of thought and time. I am happy with the way that my project turned out and the way it looked when I printed it out.